Saving Country Music’s 2021 Song of the Year Nominees
There is most certainly a time and place for music and songs that motivate you, that get you moving, that make you mash the accelerator when you’re on the daily commute and spirit you through the everyday grind, or to let loose with on Saturday night. These songs are important too, and some of the best of them in country music for 2021 will be featured soon in the Saving Country Music Single of the Year nominees.
But that’s not what we’re after here. What is the litmus test for a Song of the Year nominee? Simply put, it’s something that very well might wet the eye. These are songs that have the power to change hearts and change lives, open you up new ideas or ways of thinking, or unlock memories or emotions you haven’t felt in years. Song of the Year nominees are the reason you’re a music fan. They can change the world, or at least, they can change your world.
PLEASE NOTE: Just because a song isn’t listed here doesn’t mean it’s being snubbed or forgotten. Picking the best songs of a given year is always even more personal and subjective than with the best albums. We’re not looking to pit songs and songwriters against each other, we’re looking to combine our collective perspectives and opinions into a pool of musical knowledge for the benefit of everyone.
So by all means, if you have a song or a list of songs you think are the best of 2021 and want to share, please do so in the comments section below. Feedback will factor into the final tabulations for the winner, but this is not an up and down vote. Try to convince us who you think should win, and why.
Saving Country Music’s 2021 Album of the Year Nominees
Jesse Daniel – “Gray”
To sing it, you have to live it. To succeed, you first have to fail. At least that’s the way it goes with the greatest of songs, and the most important of life lessons. Jesse Daniel knows this, because he did his time as a destitute and drug-addicted young man before he used the compass of country music to dig himself out of it, and he now stands tall in his boots as one of the most important independent names in the country music present tense.
Drawing from the wisdom of his own experiences, Jesse Daniel proves that he’s not just an entertainer, but an artist with the gut-punching song “Gray” about that guy we all know that never gave up his rowdy ways, but might give up the ghost if he can’t find his way out. It’s from Jesse Daniel’s latest album Beyond These Walls.
Cody Jinks – “I Don’t Trust My Memories Anymore”
Using simple language, an economy of words, and the tool of the double entendre to convey the things we all feel but can’t find the words to express ourselves is at the very heart of the greatest country music songs. And even after a century of practice within the rigid confines of this “three chords and the truth” concept, the best songwriters among us can still strike gold and say so much with so little.
This couldn’t be on better display than in the song “I Don’t Trust My Memories Anymore” from the recent album from Cody Jinks, Mercy. And along with being spectacularly written by Jinks with Kendell Marvel, it might be one of the most purely country and traditional songs of Cody Jinks’s career.
Sure, memories are fond and warm for many of us. But for some, recollection can be a harrowing experience. This song is dedicated to the latter.
Rhiannon Giddens (w/ Francesco Turrisi) – “Calling Me Home”
Can an old song written by someone other than the performer really compete in 2021 for Song of the Year? If it’s Alice Gerrard’s “Calling Me Home” revitalized by incredible Rhiannon Giddens, it seems downright criminal to not allow it to be considered when you behold the results.
Rhiannon Giddens has long been a strong champion of some of the most vital verses in the classic American songbook—the odes that have gone on to construct the very foundation of roots music today. On her latest project named after this composition, she once again shoulders this charge, and positively stuns with her generational voice and interpretation.
Jason Eady – French Summer Sun
If there was a songwriter out there with the acumen and muster to bust through all the bleeding-heart platitudes and overwrought sentimentally that makes so many of these types of troop-supporting songs immediately disposable, it would be Jason Eady. And with the help of the equally-talented Drew Kennedy, they turn in a song that leaves you stunned, and blaming allergies for your red eyes.
In the song, the narrator does not enlist like his forefathers, but Jason Eady actually served in the Air Force for six years, learning Arabic, and then being shipped all over the world as a translator. Much of his work he can’t talk about because it was classified.
It’s one thing to write a great song. It’s another to craft one from such over-covered subject matter, and have it resonate and impact so powerfully. It’s Jason Eady levitating above his own existence to attain a 3D perspective upon life that graces this song with brilliance. (read full review)
Kiely Connell – “Disappear”
What will we leave beheld when we exit the mortal coil? Will anyone remember our presence, let alone our contributions, or will everything we did simply fade into obscurity, covered by the sands of time? This is the vexing and existential question that the song “Disappear” from the Kiely Connell album Calumet Queen forces you to consider.
When Connell sets her mind on touching on something deep, this is when she presents music that feels indispensable, especially when coupled with the unique character of her vocal tone. Though there may not be any specific effort to capture a dark or Gothic mood, this is certainly the result from how piercing her stories of hardship and heartbreak are, and from the ravenesque aspect of her voice. Her music is haunted by the sorrow that inspired it.
Joshua Ray Walker – “Cowboy”
So much of country music in the current decade boils down to some version of cosplay, whether it’s the carbon copy pretty boys of popular country braying on about backroads and beer, or the hipsters across town in their thrift boutique finery pretending they’re from the 60’s, or those all duded up in starched and pleated Western wear for no other reason than the supposed air of “authenticity” they hope it conveys.
But Joshua Ray Walker’s “Cowboy” isn’t just a commentary on someone’s attire. It’s about the lies we tell ourselves, and the others we hurt with them. You can play a cowboy, or you can be a man, which means being honest with yourself and others, admitting your faults and your fears, taking responsibility, and treating women with respect. That is what being a cowboy is all about, not matter who you are, where you’re from, or how you dress.
Emily Scott Robinson – Let ‘Em Burn
Emily Scott Robinson is just composing on such elevated wavelengths of articulative insight and poetic delivery, her music is incapable of comparing to contemporaries at this point, forcing you to draw correlations with vaunted songwriting legends of the past as peers. She is undoubtedly one of the premier musical scribes of our time, turning what might be stereotypical country themes into emotionally stirring moments on her new album American Siren.
And sometimes laying underneath and unspoken or hidden in allegory isn’t just a quiet desperation, but a bubbling rage to Robinson’s music. “Let ‘Em Burn” might be a solo piano ballad, but it has all the emotional outcry of a heavy metal song. Just like all great songwriters, Emily Scott Robinson has enveloped the sentiments she wants to convey, and the lessons she wants to teach in layering and nuance. It takes time to peel back the layers of an onion, and often, many tears.
Vincent Neil Emerson – “Learnin’ To Drown”
There’s little happiness to be found in Vincent Neil Emerson’s deeply unburdening song “Learning To Drown” about the loss of his father to suicide, and of his own failures and shortcomings placing hurdles in front of the realization of his dreams. Still, a song like this can feel so comforting in the way it lifts the worries off our own souls, contextualizes our problems and sorrows, and lets us know none of us are insulated from life’s tragedies and challenges, or too weak to overcome them.
Don’t worry your pretty little heads country fans, the proud tradition of poet laureates from the great state of Texas has been conferred to yet another generation in the form of Vincent Neil Emerson.
SteveG
December 9, 2021 @ 9:40 am
Great list. 2021 had a lot to celebrate. If it were my choice, I’d give it to Cody. That song is Merle all over, familiar but powerful. Maybe his best yet.
For those who complain that your “Song of the Year” list is always filled with somber, slow songs, didn’t you award it to TT’s “The Bird Hunters” some years back?
Trigger
December 9, 2021 @ 9:43 am
Yes, “The Bird Hunters” split Song of the Year with “David” by Cody Jinks in 2015.
SteveG
December 9, 2021 @ 10:03 am
Mmmm (sips) 2015 was a good year.
Cherie Dunn
December 10, 2021 @ 9:54 am
Jesse Daniel is the best. Thank you for choosing gray. So we can share him with the world
Rob Lee
December 9, 2021 @ 9:49 am
I’m hoping “Hour on the Hour” makes the single of the year category instead and that’s why it’s not here? Best song this year and it’s not even close. Out of these, “I Don’t Trust My Memories Anymore” is my pick. Sounds like those old great Merle Haggard or Randy Travis songs. Really like that one.
JD
December 9, 2021 @ 9:53 am
My vote goes to “Cowboy.” That and “Music City USA” are two that I constantly find myself singing without even realizing. I mentioned this before, but the live acoustic version of “Cowboy” he played was even better than the studio version.
Will
December 9, 2021 @ 9:54 am
Great list, thanks. Agree with the post above, I’d go with Cody.
But was 2021 really full of so many ballads? Sure there’s some up tempo tracks we can throw in the mix in the replies…
Trigger
December 9, 2021 @ 10:07 am
This concern comes up every year. Song of the Year nominees are specifically selected for their deep reverberative impact, which naturally lends to ballads. Over the last couple of years I tried to add in some more up-tempo stuff, but that was mostly symbolic, because those songs just didn’t compete with the others. So this year I am going to try out releasing a completely separate list called “Single of the Year,” which will include songs whose primary litmus test is just being enjoyable to listen to. That doesn’t mean they also can’t be deep, or be ballads, just like Song of the Year nominees can be up-tempo. But hopefully this alleviates the concern of more just fun and enjoyable songs being overlooked.
Ian
December 9, 2021 @ 4:36 pm
Ballads have nothing to do with tempo and everything to do with relating a story through song. Two good examples of up tempo ballads are The Road Goes on Forever and Gallo Del Cielo ( the latter as performed by Joe Ely on his live record). It is so commonly misused that the incorrect definition is included in some dictionaries so maybe I am the dick here, but really it is one of my favorite styles of writing and I may work my whole life trying to get it right!
Brian
December 9, 2021 @ 9:55 am
It’s definitely “French Summer Sun” for me. Wonderful story and the spoken word, “Randall Knife” delivery is incredible.
I learned of Jeremy Parsons through this site. The song “Things to Come” is actually my most played of the year. The first line “He said hey man remember that one time? It was broad but I knew what he meant.” reminds me of some great friends.
Tyler Pappas
December 9, 2021 @ 10:06 am
I’ll cast two votes. One for “French Summer Sun” and “Learning to Drown both songs blew me away first time listening. If presses I’d choose French summer sun moved me so much and is a topic that I’ve never heard in a song before and left me speechless after the song concluded.
Luke Bryan Burner
December 9, 2021 @ 10:08 am
Out of this list, I’d say it’s between Learnin to Drown and French Summer Sun. I’d like to add Faustina by John R Miller, Cranes of Potter by Charles Wesley Godwin and Help me Remember by Hayes Carll as my favorites
Steel&Antlers
December 9, 2021 @ 2:49 pm
Faustina and Cranes of Potter are absolutely lights out, should’ve been on the list imo
Danielle
December 14, 2021 @ 10:51 am
I second Faustina. So many solid songs on John R. Miller’s Depreciation.
Matsfan/Jatsfan
December 9, 2021 @ 10:11 am
All great choices. Among the list, I go with Cowboy. Outside of the list, I choose John R. Millers’ Old Dance Floor. Listened to it at least 100 times.
Andrew
December 9, 2021 @ 10:16 am
For me it’s “Wilder Days” and it’s not particularly close. And “Think I’ll Stay” is the one I’d pick as the best of Jesse Daniel’s album. There’s no reason why a song has to be slow to be good.
Trigger
December 9, 2021 @ 10:33 am
I agree a song doesn’t have to be slow to be good, nor does it have to be slow to be considered for Song of the Year. This year there will be two separate song categories: “Song of the Year” and “Single of the Year.” The latter will be dedicated to songs that are great, but don’t necessarily fit the “earth-shattering” emotional nature of these songs.
Twinshadow24
December 9, 2021 @ 10:19 am
Faustina by John R Miller is an absolute master class of songwriting and destroys anything else put out this year. The imagery he gets from his words is incredible. “ I’ve had friends and I’ve let my friends down Lookin for my heart in the lost-and-found
Bare hands trying to stop the rain from pouring.”
I would say Jesse by Charles Wesley Godwin is another that begs consideration.
WilliamR
December 9, 2021 @ 10:36 am
Yes Faustiana is correct
Hank Charles
December 9, 2021 @ 11:03 am
100% agree, I wrote the same in my book of a comment below.
Glad that same “bare hands” line hit you the same as it did me. I think said “F**k” aloud in the break after, the first time I heard it. Crazy.
Kentucky_1875
December 10, 2021 @ 4:07 am
John R. Miller’s song writing is unbelievable. I’m splitting hairs, but my choice for song of the year would be “Coming Down.”
Kentucky_1875
December 10, 2021 @ 9:21 am
Sorry. I just went back and watched a live performance of Faustina on YouTube. I can’t make a decision on which song, just as long as John R. Miller wins Song/Single of the year.
WilliamR
December 9, 2021 @ 10:34 am
Hey trig all solid songs. Be nice if the whole JRW album could be put here but cowboy is the obvious vote here. Let me ask you would ever consider a song of the year that released as one song and not apart of a complete album yet. Dalton domino’s ‘wasn’t her own’ is such a stone cold damn good song that I think it’s obvious it would be a single of the year contender. Other singles of the year I hope aren’t slept on are Michael Pies hour on the hour, CWG Strong and Cranes of Potter, and Eric church Russian roulette and love shine down. Anyway excellent year for the music!
Hank Charles
December 9, 2021 @ 10:36 am
“Faustina” – John R Miller
This song, man. The imagery is just on another level. It’s impossible to hear this song and not live it.
“I’ve spent countless hours walking among the rank-and-file, praying to some vague set of eyes that it’s only for a while. Now I kneel before the only things I know, this set of keys and I-told-you-so’s.
Someday it’ll be worth the miles.”
It’s a borderline diary entry that fits flawlessly within the composition that features the vocals, but the lead picking through the verses and selected use of accompaniment gives the song a well worn feel. I have no idea how long this song had been in the hopper, but it was fully baked and dressed by the time it hit the album.
John’s ability to blend the metaphorical with lived experience is incredible. It’s a subtle skill that every songwriter wants, but few possess. The end of the song hits like a sledgehammer from the corner of the bar.
“I’ve had friends and I’ve let my friends down
Lookin for my heart in the lost-and-found
Bare hands trying to stop the rain from pouring
And I’ve been gaining on the crack of dawn, with glass eyes and a smile.
Praying St. Faustina please, let me go out in style I’ll never know how far down it goes
Til the devil reaps what I have sown
Til then, I’m gonna feel every mile”
I get that I’m an obsessive nerd for this kind of shit, but I’ve listened to this song about a 100 times this year, and there’s still not a time where I don’t shake my head in awe.
Hank Charles
December 9, 2021 @ 11:19 am
Will say, Hour on the Hour by Mike and the Moonpies is the closest second. Tons of people pointed to that song in the AOTY discussion and for good reason. It’s damn near perfect. Great sentiment and great music.
Other top tier:
Over Yonder – Charles Wesley Godwin
I think this is what maybe spoiled the album a little for me. This song was so well composed that the rest of the album failed to recapture the high of the lead track. Just a beautiful song.
Mend – Morgan Wade
This was on the mid-year list, I believe.
Cowboy – Joshua Ray Walker
I know JRW had the concepts in mind for these albums. This one feels a little too real to be completely fictional.
Other SCM favorites of mine:
Secrets – Billy Strings
If It Don’t Bleed – James McMurtry
Call Yourself My Man – Hannah Juanita
Bells in Every Chapel – Sierra Ferrell
What Our Parents Taught Us – Kat Hasty
I am – Jeremy Parsons
Set in Stone – Travis Tritt
Twinshadow24
December 9, 2021 @ 11:47 am
Yeah man, I didn’t elaborate in my comment as much as you did, but I’m awed by the song every time I hear it. It sent me down a rabbit hole about St. Faustina, she happens to be the patron saint of Divine Mercy(how will you be received at the pearly gates), which just adds another layer to the song and ties that last verse up in a neat bow.
There’s a reason that the first time I met Tyler Childers, he called out John R Miller as someone he looks up to as a songwriter, saying “he writes grown ass man songs”.
Hank Charles
December 9, 2021 @ 12:15 pm
Ha, I feel ya. It’s hard to not just post the lyrics and say, “JUST. LOOK. AT. THAT!”
That TC story is awesome. I had no idea who the song “Coming Down” belonged to. I had only heard the version that Childers cut on Red Barn prior to this album being released. Similar to hearing Jamey Johnson do “Give It Away” for the first time, you had that realization of “Oh, that’s how that’s supposed to sound” once you heard the John R version.
Jake Cutter
December 9, 2021 @ 3:35 pm
Over Yonder is my favorite.
Hank Charles
December 9, 2021 @ 5:01 pm
No idea who produced that album, but the bridge in that song was god tier work.
It’s one of those that immediately made me wish I had the vinyl.
Jake Cutter
December 9, 2021 @ 6:31 pm
The production, engineering, and performances are great and match the songs in the album perfectly. That song in particular.
Writing a powerful and moving upbeat song seems to me to require just as much, if not more skill than downbeat dark ones, that are often based on tropes.
Daniele
December 9, 2021 @ 10:37 am
It’s either “French Summer sun” by Eady or “Hometown hero” by Robinson for me, even if “Christmas without crying” by Mckenna also hits hard.
JF
December 9, 2021 @ 10:38 am
My vote would go to Cody.
And “French Summer Sun”? That song makes me cringe. That would be my vote for worst song of the year. It is just painful. And I count myself as a big Eady fan. I hit the skip button when it comes on. Awful. The spoken word parts — ugh. to each his or her own . . . .
Mike Basile
December 9, 2021 @ 10:51 am
I weighed in on this in my Album Of The Year comment, but since the song didn’t make the list, what the heck. Mike Harmeier and Adam Odor hit a game 7 walk-off bases loaded dinger writing “Hour On The Hour” and The Moonpies did the rest. In my earlier comment, I called it a perfect marriage of a singer, a melody and a set of lyrics. Let me add a couple of comments from noted critic Kyle Coroneos (about the entire album, but certainly applicable to this song) – “not a single note out-of-place, not a single decision to second guess here,” “undeniably cool, and distinctly country.” And undeniably the absolute highlight of a fantastic album.
Hillbilly
December 9, 2021 @ 10:54 am
My vote from the list would be Disappear, followed by Gray and Let ‘Em Burn.
The others are all great too, but have flaws in my opinion. I’d say the lyrics are lacking insight and depth in Learnin to Drown, Cowboy just doesn’t cover a weighty topic relative to these others, French Summer Sun has great lyrics but I don’t like the spoken word delivery and the music gets kind of repetitive, in Callin me Home the instrumentation is overpowered by the vocals too much, and I Don’t Trust My Memories Anymore just reminds me so much of Merle that it doesn’t feel original (really love the song though).
I’d also add Last Words by Steve Earle, Help Me Remember by Hayes Carll, Hard Out Here by Justin Wells, and Jesse by CWG.
Last Words really tears me up.
Mr. Mapache
December 9, 2021 @ 10:59 am
I’ll go with Jesse Daniel’s Gray. Heart breaking, gut wrenching song. Nice to see it in the first spot. All the other songs are great choices, too.
63Guild
December 9, 2021 @ 11:05 am
My favorite song on Jesse’s album was “Clayton was a cowboy” but gray is fantastic. Having said that Eady takes it for me
Kent
December 9, 2021 @ 11:15 am
My favorites ( in no particular order)
Emily Scott Robinson
Rhiannon Giddens
Cody Jinks
Rhiannon Giddens voice and her phrasing sound a bit like Buffy Sainte-Marie. Funny I haven’t heard that before.
King Honky Of Crackershire (Merry Christmas!)
December 9, 2021 @ 11:20 am
Hi Trigger,
If you don’t add Will Bannister’s “Find A New Home” to this list, then you should immediately acknowledge your failure as a journalist, close this site, and never write another word about C(c)ountry music for the rest of your life.
Jake Cutter
December 9, 2021 @ 11:41 am
Might have to take a gander.
Kevin Smith
December 9, 2021 @ 3:12 pm
Honky
Good reminder on the Will Bannister song. great movie as well. Its a GREAT song and the delivery is right on. Hes got the voice. Hopefully that young man goes places. I agree, it ought to be on the list.
Not a bad list Trig. Of the ones you have:
1. Cody Jinks
2. Joshua Ray
3. Jason Eady
Ones to add?
Here Comes my Baby Back again- Connie Smith and Marty Stuart- A Great song written by Marty and Connie and on her new record. Its a throwback to the Countrypolitan Nashville sound, complete with strings. Sounds like something Roy Orbison would have loved to record. Connie s voice is still like a friggin cannon, she lets it rip effortlessly!
Ole Pal by The Steel Woods: I know, I said its entirely a Southern Rock album, I was overlooking the fact that this song is Country as it gets. And its a story song with a surprise ending.Well worth listening to.
(Not) The Ghost Of OlaR...
December 9, 2021 @ 11:42 am
My Song Of The Year Nominations:
Natalie Henry – “Leavin'”
Andersonlane – “The Fight”
Sarah Hobbs – “Black Bayou“
Catherine Britt – “Home Truth”
Dave Barrie – “Fourty Windmills“
Allison Forbes – “Save You Now“
William Beckmann – “In The Dark”
Angus Gill – “Always On The Run”
Becci Nethery – “Feels Like Home“
William Beckmann – “Bourben Whiskey”
Troy Cassar-Daley feat. Ian Moss – “South“
Elijah Ocean – “A Chip Off The Barroom Floor“
Kristen Foreman – “I Don’t Cry In My Cowboy Hat”
Royale Lynn – “Trucks Ain‘t For Breaking Down In“
Andrew Swift feat. Cass Hopetoun – “Say The Word“
Tracy Coster feat. Pete Denahey – “An Eastbound Train”
Michael Waugh feat. Felicity Urquhart – “Too Many Drawers“
Erin Enderlin feat. Terri Clark – “If There Weren’t So Many Damn Songs“
Adam Harvey feat. Beccy Cole, Darren Coggan & Felicity Urquhart – “Better With Time“
Ryan Wilcox & The Sunday Shakes feat. Kolton Moore & The Clever Few (& Laura Utley) – “Game Of Fools“
Richb
December 9, 2021 @ 12:06 pm
Hope Dunbar’s ‘What Were You Thinking.’
It’s good to hear someone putting that rage to good use.
thepants
December 9, 2021 @ 12:07 pm
Of these, French Summer Sun easily.
Joseph Stein
December 9, 2021 @ 12:22 pm
Genuinely shook that Fancy Like aint on here….
Jrge
December 9, 2021 @ 12:32 pm
Dope Mountain by Pony Bradshaw.
Even spotify knows it’s my favourite song of 2021…
#giveponybradshawtheirflowers 🙂
kross
December 9, 2021 @ 12:36 pm
none of the above.
Di Harris
December 9, 2021 @ 1:57 pm
Have you had a chance to listen to this, yet?
https://youtu.be/k4JpVB1XwLU
So simple & raw. Found it pretty astounding.
City Boy Derek
December 9, 2021 @ 12:49 pm
I would’ve liked to see Canola Fields by James McMurtry on this list – easily my favorite tune of the year. I suppose it would fit in the Singles category also, though I think whatever track you pick off the Mike and the Moonpies album probably has that category locked up.
As far as the nominations go, French Summer Sun is incredible, as is JRW’s Cowboy. I think I’d give Jason Eady the nod here, but this is a great collection of songs.
Bear
December 9, 2021 @ 12:58 pm
Emily for me or Rhiannon. But Emily gets the edge for original work. I mean by the end of it all… who are we kidding? She killed harder that a cowboy in a murder ballad. LOL
John R Baker
December 9, 2021 @ 1:00 pm
I feel like I really want Billy Strings and James McMurtry songs in there but it’s hard to pick out one. So I guess that’s the difference between great songs and whole great albums.
I did think that “In The Morning Light” was a particularly well written and performed song but not as affecting a statement as something “Learnin’ To Drown.”
NJ
December 9, 2021 @ 1:47 pm
A couple of decent ones slipped into contention for Mawkish Song of the Year this time round ;-).
My top three would be
– Learning to Drown
– Disappear
– Cowboy
Nicolet
December 9, 2021 @ 2:09 pm
I’d say “Learning to Drown” going from the ballot, but “Faustina” would be my write-in.
Whiskeytown
December 9, 2021 @ 2:23 pm
French summer sun – Jason Eady
Justin C
December 9, 2021 @ 2:31 pm
“Country Radio” song of the year “ “ till ya can’t” Cody Johnson. I thought it was best song I have heard on radio for a very long time.
Ole Pal by the steel woods was very well written song and one of my favorites, a lot of truth and I can def relate.
Steve
December 9, 2021 @ 2:54 pm
Wilder Days. I actually found the Morgan Wade album disappointing overall compared to her acoustic material, but Wilder Days is easily my favorite song of the year.
David
December 9, 2021 @ 3:13 pm
I’ve listened to some of these and didn’t really care for them so I’ll mostly go with none of the above for now. About anything off the Alan Jackson album would go in their place.
Colby and the Fudge Rounds
December 9, 2021 @ 3:03 pm
Pretty good list. Off this selection I would say learning to drown. My personal favorite was Dalton Domino- Wasn’t her own. Powerful songwriting if you hadn’t heard it.
Steel&Antlers
December 9, 2021 @ 3:07 pm
Out of that list:
1. Learning to Drown
2. Gray
3. I Don’t Trust My Memories Anymore
Biggest snubs imo:
1. Rest of My Life by Parker McCollum
– Was not expecting such a stellar album out of him this year but I’ll be damned if “Gold Chain Cowboy”, despite that dumb ass name, wasn’t absolutely incredible. Especially this song, I mean what an incredible hook
“There’s a picture-frame hangin’ a little to the side
Some drugs on the counter in the kitchen by the wine”
2. Faustina by John R Miller
– What a great, layered song from a terrific album. A lot of the words seemed like nonsense to me at first but when you peel back the layers you discover something truly special. This narrowly beats out Shenadoah Shakedown for me.
3. In Dreams by Sierra Ferrell
– Say what you want about the VHS version being released years ago or being “better”, but this song absolutely rocks and Sierra deserves to be on this list, if not with this song than with at least four or five others.
J
December 9, 2021 @ 3:28 pm
I am adding bells of every chapel and thank you to Billy for not ruining the tune with some of that terrible jammy crap he does at times.
JB-Chicago
December 9, 2021 @ 3:34 pm
The Jesse Daniel album got quite a few spins around here over the summer and upon hearing Gray I thought it was SOTY material. Nice to see the nomination, probably my fav out of these. I love Cody’s and JRW’s tunes as well. Dillon Carmichael’s title track to his current album “Son Of A” has me in tears these days and gets my go listen to this honorable mention.
MikeRR
December 9, 2021 @ 4:33 pm
M&MP – Hour On The Hour
Mac Leaphart – Blame on the Bottle
Sierra Ferrel – Bells Of Every Chapel
Hayes Carll – Help Me Remember
Red Shahan – Javelina
stellar
December 9, 2021 @ 5:09 pm
I dunno, there’s not usually something that sounds as unique and is as well written as that Kiely Connell song. Good description in your article- it doesn’t sound like she’s trying to be gothic about it, she’s just writing a near-perfect country song.
Gil47
December 9, 2021 @ 5:19 pm
My list:
Way Down in my Whiskey – Alan Jackson
I Don’t Trust my Memories Anymore – Cody Jinks
Three Chords and a Lie – Larry Fleet
When I Breath – Cory Keefe
Takin’ this Leaving too Far – Cameron Wrinkle
jt
December 9, 2021 @ 6:14 pm
John R. Miller, Faustina. It seems to be Readers Choice SOTY, if nothing else.
E.Lunn
December 9, 2021 @ 8:00 pm
Too much of a sausage party. There are better women singer/songwriters than some of those dudes.
Trigger
December 9, 2021 @ 8:57 pm
When you have eight selections, and changing the gender of one would result in a 50/50 split, I find it hard to call that a “sausage party.” But by all means, please share the women and songs you believe are better than these selections. That is what this exercise is for, spreading the knowledge of good songs. I’m always excited to hear about great country women.
Rbeebs
December 9, 2021 @ 8:28 pm
All great songs but Faustina was the best song of the year(s). I’m sure I wasn’t the only one who did an internet search of St Faustina and read her bio. The imagery is incredible and although the content is dark, the rolling melody lends hope to a dire situation. I usually find myself nodding in agreement with much of what’s posted on this site but am baffled by the lack of love for this album and song.
Trigger
December 9, 2021 @ 8:53 pm
John R. Miller’s “Depreciated” received a glowing review here:
https://savingcountrymusic.com/album-review-john-r-millers-depreciated/
The new album was also graced with an announcement when it was first revealed:
https://savingcountrymusic.com/john-r-miller-readies-release-of-rounder-debut-depreciated/
Also reported when he signed to Rounder Records. I believe Saving Country Music was the only outlet to report on this important development:
https://savingcountrymusic.com/bella-white-john-r-miller-sign-to-rounder-records/
Also reviewed his 2018 album “The Trouble You Follow” … one of the few sites that paid attention to it:
https://savingcountrymusic.com/album-review-john-r-miller-the-engine-lights-the-trouble-you-follow/
John R. Miller has also had numerous songs featured in the Top 25 Playlist:
“Faustina” was added on May 16th:
https://savingcountrymusic.com/newest-adds-to-saving-country-musics-top-25-current-playlist-83/
It was later replaced by “Old Dance Floor” July 26th:
https://savingcountrymusic.com/newest-adds-to-saving-country-musics-top-25-current-playlist-87/
To to sum up, that is six separate features on Saving Country Music, including five this year. So I would not say it’s fair it has received a “lack of love.”
As I said in the introduction of this article, and have re-iterated in numerous comments, this year the “song” category for the end-of-year summations have been split into two categories: “Song of the Year” and “Single of the Year.” The Single of the Year category has yet to be published. I’ve also done everything but come out and said outright that John R. Miller will be on that list. But clearly, folks can’t take the hint.
Patience.
Rbeebs
December 10, 2021 @ 4:11 am
Thank you for your reply Trigger, I suppose it’s the nature of naming both a song and single of the year. For myself, interpreting the definitions of each had me thinking “Faustina” fit in the song category rather than single but respect your choice as you are the coordinator. I also recognize that the album was given a good review initially. For myself, when it first came out, it went to the top of my list for the years best. I read the review a few weeks after it’s posting and was surprised to see it wasn’t as glowing as I would have supposed. I obviously recognize that not all opinions are the same. Love this site, keep on keeping on!
jt
December 11, 2021 @ 12:00 pm
Thanks for highlighting him, I wouldn’t have heard of him otherwise until I saw him open for Sierra Ferrell. It was nice to be familiar with his music before he came out on stage. Genuinely nice guy, had a great conversation after the show.
Danny van Eijk
December 10, 2021 @ 2:17 am
Surprised “That Train” didn’t make the list.
However VNE’s song is my clear favorite among these.
Peter Bootsman
December 10, 2021 @ 3:39 am
In no particular order:
Morgan Wade – Met You
Mike + Moonpies – Hour on the hour
Charlie Marie – Soul Train
Zephania Ohora – Best to Bonnie
Local Honeys – Dying to make a living
Sarah Shook – Talkin’to Myself\
and
Turnstile – Holiday
Descendents – Ride The Wild
Face To Face – A Miss is as Good as a Mile
but those are not for this site.
Joe Northrop
December 10, 2021 @ 5:22 am
Full disclosure…I’m a Jinks man…through and through.
But, “I Don’t Trust My Memories Anymore” is an instant classic, and one of the best pure country songs I’ve ever heard. Last time I saw Cody perform live (Austin, September, with the incredible new lineup including Jake Lentner sharing lead guitar duties with the venerable Chris Claridy) everybody in the audience sang along with Cody, even though “Memories” had yet to be released. Its not just the words, its the economic arrangement and of course, the best voice in popular music today. Cody wins hands down!
blockman
December 10, 2021 @ 8:09 am
I hope that Giddens doesn’t win for Trig’s clout like that dumb dress song last year.
Trigger
December 10, 2021 @ 8:20 am
That dumb dress song won two years ago, I’ll have you recognize, sir!
blockman
December 10, 2021 @ 8:28 am
Damn 2 years and I’m still not over it? Can you help?
blockman
December 10, 2021 @ 8:33 am
Ah I see that tune about being a miserable drunk and driving into the lake won followed by the one about the chick and the pills. I’m more into that kinda thing not dresses. Though McMurtry ‘ Red dress’ is an exception. My apologies I guess we can both acknowledge our mistakes!
#BobWillsIsStillTheKing
December 10, 2021 @ 9:44 am
Loretta Lynn “Coal Miner’s Daughter (Recitation)”.
We all know that this is more than just a great song, this is a true Country music anthem. I know this song by heart but still when I listen to the new recitation version it is like I hear the words for the first time again, it’s almost like I didn’t already know the words. I know this doesn’t stand a chance to be picked as song of the year, but it should be. It’s different, it’s darring, it’s original and it shows that someone as Loretta Lynn doesn’t have to sing a great song to make it a great song, it is all about the performance – And the performance is both beautiful and sincerely. Loretta Lynn has come full circle with this recitation of her own classic and when I listen to it, it makes me feel like this could be her last album which makes it an almost historical listening experience. Then I get to the last track of the album “You Ain’t Woman Enough”, Loretta Lynn together with Tanya Tucker, and I know that neither Loretta Lynn or Tanya Tucker is finished yet… I hope.
Connie Smith “Here Comes my Baby Back again”
Mr. Kevin Smith has already said what needs to be said about this song so I would just quote him.
Willie Nelson “All Things Must Pass”
Willie Nelson releases so many albums that it is almost like no one notice when a new album comes out. In my humble opinion he doesn’t always get the credit he deserves and thats a pitty because his albums always seems to have a very clear concept, and no matter what the concept may be the albums never seem rushed to me. This time is not about a tribute to Mr. Sinatra but about nothing less than the existing of being and the end of that existing. To me it sounds like Willie Nelson is peparing for his own death with this album. His choice of songs and the way he surround himself with his family gives the album a very spiritual feeling. The George Harrison classic “All Things Must Pass” gets the classic Willie Nelson touch/treatment and he makes the song his own, which is all one can wish for in a cover. Willie Nelson sounds like a true American spirit that has not only come to terms with that everythig must pass, but as a spirit that has always know it. The way his son Lukas Nelson participate on the track is very clever and very “Willie Nelson”, everything must pass but everything continues is here embodied in both father and son, very clever indeed and I think George Harrison would have appreciated this. Wille Nelson and Trigger and Lukas Nelson makes “All Things Must Pass” a deserved contender for song of the year for me.
My pick of the list available would be: Joshua Ray Walker “Cowboy”
The description of the song says it all and the album at a whole is great.
AnnMarie Goldberg
December 10, 2021 @ 10:15 am
Jesse Daniel is breathing life into real country music in the current time. “Gray” is spot on with that feeling real country music gives you.
Huntermc6
December 10, 2021 @ 11:21 am
Kiely Connell – “Disappear”
I’ve listened to all of these songs and the only one that really grabbed me and gave me that “wow factor” was Disappear. It leans a little more folk than country but the genres have so much crossover with the more song writer type artist.
Di Harris
December 10, 2021 @ 11:57 am
Love Rhiannon, Sierra, Rob Leines & The Guys, Billy Strings, etc.
SAM WILLIAMS, Blue Christmas/Snow Angels
Hands down
Sure glad Sam has his daddy to whip his a** (metaphorical) if he gets too crazy – because this guy is rocketing to the top
GMorris
December 10, 2021 @ 12:26 pm
The list, comments, and vibe of all this is greatness. Joshua Ray is coming back for seconds this year! Cowboy!
Imre
December 11, 2021 @ 4:29 am
Great list!
My song of the year is probably Pipe Dream by Red Shahan.
KAMS
December 11, 2021 @ 10:32 am
Absolutely love all of Jesse Daniel’s songs, but ‘Gray’ has the real feelings you get in real country music, amazing song!
Corncaster
December 11, 2021 @ 10:49 am
Lainey Wilson, “Two Story House”
yb01
December 11, 2021 @ 11:33 am
My vote goes to Jesse Daniel’s “Gray”, a great song from a stellar album! Cody Jinks is a close second!
Jay
December 13, 2021 @ 7:44 am
Did you make a spotify playlist for this? I wasnt able to find it. Thanks for helping me find so many great songs
Trigger
December 13, 2021 @ 8:13 am
There will be a Spotify playlist posted once I’ve posted all of the nominees for both Single of the Year and Song of the Year, which will happen momentarily. Then a player/links will be added to both articles.
Bogie
December 13, 2021 @ 2:14 pm
These are all brilliant lyrically, but rating a song must also consider music. VNE and Connell stand out musically. The unique Celtic vibe of Disappear makes it my favorite. Plus the verse:
The floor gave way to embers,
Cast me out to open seas,
Without a moment to remember,
What had brought me to my knees,
And I’m crying out for mercy as I wrestle with my fears,
And I’m feeling oh so thirsty as I’m drowning in my tears.
Danielle
December 14, 2021 @ 10:56 am
My top three in no particular order:
John R. Miller – Faustina
James McMurtry – If It Bleeds
Hayes Carll – You Get It All
Jay Eff
December 14, 2021 @ 1:42 pm
A standout for me is “Ghost” from The Marfa Tapes!
CountryKnight
December 19, 2021 @ 10:02 am
“Needle Fall Down” & “Gas Well” by CWG
“Racing the Dark” by Alan Jackson
Stefan
December 20, 2021 @ 1:03 am
These are songs that are meant to immediately speak to you on an emotional level. The one that did that for me is “Disappear”. So that is my favorite.
And Rhiannon Giddens is a force of nature. She could sing whatever she wanted and it would be great (and that is a good song, too).
Jim Bones
December 21, 2021 @ 2:51 pm
Game Ball by Colton Venner is a country song (has some steel guitar-sounding stuff in the mix) that incredibly and acutely sums up several feelings of young adulthood through the lens of MLB dreams and paternal relationships. It is my choice for Song of the Year. Second place is jesse by CWG or cowboy by JRW
Recent jeremy pinnell album rips but no songs are SOTY material but the album still be rippin super hard