Sturgill Simpson, who has regularly criticized print media for coming to him with preconceived notions for interviews, has clarified his statement about Luke Bryan to the New York Times, and revealed via screenshots that his quote about Luke Bryan was cut off mid sentence, and never meant for public consumption.
Bro-Country godfather Luke Bryan is getting ready to give birth to his latest recorded monstrosity called What Makes You Country in a day or two, and in a recent feature in New York Times Magazine aiming to prove to us all what a good ol’ average Joe country boy he is, some pretty mirthful revelations emerged.
Make no mistake about it, the reason a song like this came about is because of the continued criticism coming at artists like Luke Bryan that question their legitimacy as country performers. This means the spirited dissent being logged by literally millions of country fans at this point is being heard, and making an impact.
This troubling turn, which takes the concerning trend of the rabid consumerism embedded into the lyrics of today’s popular songs, and brings it to a point that can only be described as Objectophilia, which by definition, is a form of sexuality focused on inanimate objects as opposed to human beings.
Music can teach us that we all love, we all face fears, and we all can overcome whatever inward or outward oppression that may be dogging us to flourish and prosper. If a music artist chooses to broach political subjects or to speak out against injustices in their music, them more power to them. But don’t hold silence accountable as complicity.
Hip hop/R&B artist Jason Derulo—known for such squalid hits as “Swalla” and “Get Ugly”—is working on a quote/unquote “big” country music project with a current country artist. This is the news coming from numerous sources, including Derulo himself.
Some might think this will sound like a broken record or a tired topic, that all the Chris Stapleton praise and plaudits for his remarkable sales numbers have run their course. But the argument can be made that we’re still not making a big enough about what Chris Stapleton is accomplishing in country music right now.
Now Nashville’s decided to try and make the Geico Caveman a superstar it appears, and it’s only appropriate, because to find anything fetching in this anthem to American devolution, your forehead has to stick out over your eyebrows so far that you don’t need to wear a hat in the rain.
In April, WME, who represents country music superstar Luke Bryan, received a letter from the FTC, or Federal Trade Commission. The letter makes reference to an Instagram picture where Luke Bryan is touting his clothing line that is called “HFE,” which is short for the title of his hit single, “Huntin’ Fishin’ and Lovin’ Every Day.”
Chris Stapleton’s sophomore album ‘From A Room: Vol. 1’ is the #1 selling record this week in pure album sales across all genres, beating out rapper Logic’s new album ‘Everybody.’ However due to new chart rules that consider streaming data, Stapleton will come in #2 in the major charts.
Stupid list thing going around the innernets these days asking music folks to list off then bands they’ve seen live, but one is a lie. As a similar exercise to get your country music brain muscles firing and to test your true acumen on the genre, let’s see if you can navigate this difficult intellectual exercise.
Wonder why pretty much every mainstream country single sounds ostensibly the same? It’s probably because they all pretty much do. Lill illustrates how nine songs on Billboard’s Hot Country Songs chart all employ the same exact drum beat, and within the same 15 or so beats per minute.
Is it too damn much to ask of the National Football League to find somebody to sing The National Anthem at the Super Bowl that has an established history of actually knowing the words to a song most 4th graders are tasked to recite verbatim before ascending to middle school instead of a performer with a sullied past of sliding by using subterfuge like Luke Bryan has?
‘Twas the party before Christmas, when all through the home
One creature was dancing, on a truck covered with chrome;
The beer cans were stacked on the chimney with care,
In hopes that Luke Bryan soon would be there;
Everywhere we turn, there are signs that the tide is turning in country music for the better. Chris Stapleton and Sturgill Simpson are turning the tables on the awards shows, a new generation of traditionalists like William Michael Morgan and Margo Price are finding surprising traction. But it’s not all rosy.
What in God’s creation makes one think that Charlie Daniels fans are going to want to watch a performance by Luke Bryan, or Travis Tritt fans are going to appreciate Kid Rock’s shtick? Or vice versa? Sure, the big names help put butts in seats, but it also helps turn others away. No self-respecting traditional country fan is going to stomach a Luke Bryan performance.
Unfortunately, the actions of Luke Bryan have sullied Charlie Daniels’ 2016 Volunteer Jam after numerous videos and eyewitness accounts of Luke Bryan stopping down one of his songs to accost a front row fan and punching him in the face have surfaced.
Over the last decade and beyond, it has not been humanly possible to book more godawful performers for the centerpiece of the NFL’s Thanksgiving schedule than what we’ve seen take center field during the halftime of the Dallas Cowboys’ football game. It’s like they purposely conduct a study to find who is the most dreadful performer of the day.
“Love Me In A Field” makes the American farm sound like Walt Disney’s model for a sexual theme park, while the reality of things facing the American farmer is either selling out to Monsanto, or having 200 years of your family’s legacy parceled out in a bank liquidation due to falling water tables and intrusive estate taxes until all you have left to show…
Screw me, but I just don’t have a strong opinion about this thing one way or the other. Sometimes that happens. If you think this song and video is amazing, then awesome. If you think it’s stupid, I can see that perspective too. In the end it’s kind of a wash for me.
Uncle Rob’s video feed is known for taking everyday life hack topics and mixing in some explosive results. Don’t try this at home kids, but for his latest topic, he outlines the best way to listen to country music superstar Luke Bryan. You can probably guess what happens.
But this is the thing about Aaron Lewis and his anti-country stance: Normally this type of thing would solicit high praise from an outlet like Saving Country Music. And hey, I will give him credit for taking a stand. But Aaron Lewis, a dyed-in-the-wool rock gone country guy, is not the one to be delivering this message, I’m sorry.
The lead single to Chase Rice’s new record is done, finished, finito, dead, and game over according to radio insiders. And the results do not paint a very pretty picture at all for the performer. After a big promotional push by Rice’s label Columbia Nashville, all that his song “Whisper” could muster on the radio charts was a whimper before limping off into the night virtually unnoticed.
“His record label flew us down to Panama City,” they explain. “We pulled off the prank, we executed it. He was doing a meet and greet with the sorority girls, hundreds of girls. We were playing two guys in the sorority so excited to meet Luke Bryan. The company set us up with a one on one. He was wasted. He was plowed. So I just start naming off everybody else’s music.