After taking some time out of the spotlight to fight the Cancer, Keith is now starting to battle back and appear in public again. But don’t expect a bunch of new songs from him anytime soon.
Before Turnpike went on indefinite hiatus in 2019, they were doing quite well for many independent acts, but were also meandering along in the effort to really spark national attention for themselves. Now the game has completely changed.
I have been warning all the elitist think piece writers, academics, Twitter intellectuals, and even some artist who’ve been imploring country music artists to speak out politically to be careful what they wish for .
Brent Cobb comes across as one of those country music performers who’s not particularly interested in country music superstardom. He’s cool with just writing and singing good songs for good people.
You have to appreciate just what a monster track the Luke Combs version of Tracy Chapman’s “Fast Car” has become. The numbers are nothing short of incredible.
“I was so humbled when Tyler asked me to record the song,” says King. “And then earlier this year he surprised my fans and joined me on stage in Lexington, KY.”
You can’t let fans load into the venue, get a beer in their hand, and then last minute, pull the plug. It’s not cool. And this is what Morgan Wallen did in Oxford, Mississippi on Sunday night, April 23rd at the Vaught-Hemingway Stadium, even waiting until after openers Hardy and Ernest had performed.
Few artists or bands in independent country are getting the same opportunities as 49 Winchester at the moment. Not only is reigning CMA Entertainer of the Year Luke Combs walking around in one of their T-shirts, he’s booked them to open a bunch of his shows in Europe later this year.
Luke Combs may be the reigning CMA Entertainer of the Year, but you get the distinct impression that he’s barely aware of it. There’s no cocksure attitude as he stands up there on stage in his Bass Pro fishing shirt with the flap across the back. He’s just a grown up pudgy choir kid from North Carolina.
With every single piece of recorded music now right at your fingertips, spending time reading professional reviews may seem silly. But the problem is that you have every single piece of recorded music right at your fingertips, which means we’ve gone from not enough options, to way too many.
There may not be a better example of how cluttered and crazy release days have become over the last couple of years than what’s happening on March 24th. A total of 22 albums that have been pre-screened and selected to be considered for review by Saving Country Music are all being released on the same day.
For the last dozen years or so, one of the most contentious battles within the realm of commercial country music has centered around the incursion of hip-hop influences into the genre, and specifically the use of verses that are rapped as opposed to sung, and electronic beats replacing organic drums.
This will be the last time it is relevant to refer to Tommy Prine as the son of John as anything but an interesting footnote, if that time hasn’t already passed. After winning Saving Country Music’s 2022 Song for the Year for his debut single “Ships in the Harbor,” it’s time for him to step out of the shadow of his famous father.
While on the Red Carper at the 2023 Grammy Awards if February, someone from CBS shoved a microphone into the face of Luke Combs, and asked him “What song can you not stop listening to?” Luke’s answer? “John Prine’s son, Tommy Prine, wrote a song when his dad passed called ‘Ships in the Harbor.'”
Flatland Cavalry have their work cut out for them in the coming weeks and months. They’ve already been announced as one of the big beneficiaries of the massive stadium tour Luke Combs is throwing this year. But they won’t be sitting on their laurels in between.
Morgan Wallen basically dominates everything. But what we’re concerned with here is digging through the raw data to determine if our hypothesis that non radio-supported artists such as Tyler Childers and Zach Bryan really are as big as we think they are, and if a country music revolution is underway.
A pretty universal consensus from the country fans who did suffer through the presentation to see the extended Alan Jackson tribute at the end was that in 2022, the CMA Awards seemed to do a 180-degree turn, and started going back in the right direction toward featuring more actual country music.
Luke Combs said it best while accepting the trophy for Entertainer of the Year Wednesday night (11-9) at the 2022 CMA Awards: “This is my fifth or sixth year being at this awards show, and country sounded more country than it has in a long time tonight.” In truth, the CMA Awards righting the ship goes back even further.
The fact that this tribute starts off with an unheard recording of John Prine who’s been gone now for two years now speaks to just how long it takes to put something like this together. It’s also one of the multiple reasons this is not just ‘another’ tribute record. A lot of love went into this one.
Country music is country music, and the best definition of what country music is, is that you know it when you hear it. It’s self-evident. But the genre has birthed many subgenres, many stylistic movements over the years, and at times has seen a splintering and Balkanization.
“American Heartbreak” by Zach Bryan has been showing all indications of being one of those “sticky” albums, selling another 24,803 in albums and equivalents again last week. Even more interestingly, the album retook over the #2 spot from the new Luke Combs album “Growin’ Up” two weeks ago.
Chapel Hart have been around for a while now, originally forming in 2014 and releasing their first of two LPs in 2019. They are also one of the most egregious victims of discrimination in country music. No, not just because they are Black, because they are country.
No rest for the weary, and no time to ruminate upon and digest the 34 tracks Zach Bryan released just a couple of months ago via his massive #1 album ‘American Heartbreak.’ Make room on your plate, because here are nine more in what Zach Bryan is calling an EP.
Yes, just a day after Saving Country Music posted a long-winded rant about why trying to court mainstream country radio is a fool’s errand, not one, but two interesting anomalies have popped up on the format that are worth remarking about, and keeping a close eye on.