John Moreland has already received the praise of the likes of Jason Isbell who he’s toured with before and dozens of others, but an endorsement from one of the biggest females in country music at the moment is a pretty big deal. Apparently during AmericanaFest a couple of weeks ago, Miranda Lambert took time out of her busy schedule to take in a set by Moreland.
Hillary Clinton is not the only one feeling under the weather and needing some time off. Country music’s current First Lady Miranda Lambert has got a case of laryngitis or something similar, and has been put on mandatory vocal rest by her crack team of country music doctors. The result is Miranda will miss at least three of her upcoming shows.
The next trend in country may not be defined by a style or a sound, but who is involved in it. But if collaborations will be the next big trend, how about putting out just a little bit of effort to make sure that the great talent that is going unrecognized in country music itself gets some love?
Flying low over the country music masses to survey the landscape, it’s patently clear that in the 48-hour aftermath of Miranda Lambert releasing her first single in over a year, how you feel about it has a lot to do with how you feel about Miranda Lambert, or Blake Shelton. The fact that “Vice” has become so polarizing proves that music is no longer about music, but personality.
The Country Music Association sent out the initial ballots for the 50th Annual CMA Awards on July 5th, and with them came a new system that hopes to stop some of the campaigning for artists to win certain awards. It’s called “Nominee Showcase,” and gives voters a centralized location to find verified and fairly-presented stats on all the nominees.
Some feel “She’s Got A Way With Words” is crossing the line in the way a woman is being portrayed by a major mainstream country music star, especially in the tenuous environment of today where the issue of equality for female artists and the objectification of women is high of mind with listeners and music pundits.
Right now, Texas and Oklahoma is being robbed of its female talent from Nashville and the two coasts. And these women are regularly sucked up into a system that absconds with their creative freedom, sexualizes their image, and drops them unceremoniously whenever their commercial viability is perceived to be spent.
A big issue with the Grand Ole Opry in recent years has been trying to get standing members to meet their performance obligations. Though the Opry loves to add high-profile names from country’s current radio stars, these performers tend to sign on to receive the distinction of being Opry members, but don’t actually want to play the appointed number of slots for membership.
Corporate sponsorship is the grease for the wheels that makes country music turn. What is new about corporate truck sponsors in country over the last couple of years is how deep they have embedded into the country music culture, to the point where now smaller, independent artists can be seen out there participating in helping to promote full sized trucks.
The CMA has officially released the Nissan Stadium lineup for the CMA Music Festival coming up the 2nd week in June, and despite all of the talk of diversity and the inclusion of female acts in country, the lineup remains painfully lacking in female representation once again. Carrie Underwood thinks she knows why.
The “South” is the setting for the songs, and where the respective artists hail from, but “Family” is what makes this record universal for all listeners. And unlike many other concept records that may only have one or two songs that can be separated from the material, every song on “Southern Family” can exist independently, and many will go on to mark top-level career contributions to the artist’s musical canon.
“Came Here To Forget” is not a terrible song. It’s a decent song that they made into a poor effort by taking a decent premise, loading it up with radio-friendly buzzwords, and stylizing it to the “Hot AC” crowd in the production. In other words, it’s destined to be a super hit on country radio.
“The Driver” is Charles Kelley’s version of Theodore Roosevelt buying a $700 cowboy shirt and heading for the Dakota badlands, or Rose from Titanic choosing to attend the dance in the boiler room instead of the ballroom because the help knows how to party better. It’s this strange, striving for everything Charles Kelley and Lady Antebellum isn’t that defines this solo album.
The country music Outlaw movement didn’t happen overnight either. It took years and years of gnawing away at the obtrusive oligarchy that had set up shop on Music Row to get to the point where many of the genre’s most prominent stars could call their own shots, and the music could finally open up to new ideas and fresh faces.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
The reason an artist like Anderson East works, similarly to Leon Bridges and many others, is because he’s got a evocative, old-school coolness about him that reminds folks of a time when music and life wasn’t so superficial. So there may be some borrowing of ideas here, but it’s innocent, and better than most of what is influenced by more modern textures.
Producer, guitar player, and songwriter Dave Cobb has signed an exclusive worldwide publishing deal with Warner/Chappell Music. The deal was announced Monday (1-4), and also includes the formation of Cobb’s own publishing arm, Low Country Sound Publishing. The news comes after an incredible 2015 for Cobb…
Forget all the sappy relationship stuff, and how it happened and where it might lead. Miranda Lambert ditching Blake Shelton and ending up with Anderson East might be the perfect illustration of the drastic role reversal 2015 has ushered in throughout the greater country music realm, and how 2016 could be poised to completely turn everything upside down.
There’s something much interesting brewing that’s bigger than any one artist at the moment—an expansive concept record dealing with artists’ experiences growing up in the South. The project was first hinted at in April when the new Elektra deal was signed, and since then there’s been murmurings about Cobb’s concept record here and there, but now we’re finally beginning to piece together the details.
On Tuesday (12-15) it was officially revealed that Blake Shelton would no longer be co-hosting the ACM Awards with Luke Bryan. The ACM’s are scheduled to occur again next in April of 2016. It’s a position Shelton has held for many years. Blake will be replaced by the pilot of the drunken skies, Dierks Bentley. But the decision has left many wondering why Blake would pull out of such a prominent position.
Carrie Underwood is not the problem in country music, and neither is Storyteller. Like the title alludes to, it is full of fiction and fantasy, primarily for adult females. It’s the escapism of a Grisham novel. It’s the seduction of a soap opera. It’s also not really country, at all, despite Underwood’s reassurances before this release that she would keep it tied to her roots.
Announced today in press release fashion, the 49th Annual, 2015 CMA Awards will be opened by newly-signed NASH Icon recording artist Hank Williams Jr. singing Waylon’s interpretation of Neil Young’s “Are You Ready For the Country?” first released on an album of the same name by Waylon in 1976. Hank Jr. will be joined by Eric Church in the rendition.
Emmylou Harris and long-time collaborator Rodney Crowell have a new album out with called ‘The Traveling Kind,’ and while speaking in a joint interview with radio.com recently, Emmylou had some interesting words about what she thinks about today’s country music.
Adding to the ongoing discussion about the dearth of female representation in mainstream country today, country superstar Jason Aldean contributed some curious comments to The Washington Post ahead of a show at Jiffy Lube Live in Bristow, VA on Saturday, September 12th.