If you are truly a fan of country music and have an open heart, you will like 100 Proof. In the Tammy Wynette, Loretta Lynn mold, 100 Proof revives the lost appreciation for the strong, yet sweet country woman, while staying away from the surface symbolism that erodes the substance from many of the other artists that attempt this difficult feat.
A while back we showcased the 6 Pop Country Archetypes, now it’s time to showcase the song formulas that Music Row employs to appeal to them. these are the other templates that professional songwriters in BMI’s and ASCAP’s cubicle farms slave away at fleshing out in various forms. when you crack the cellophane on a Music Row CD, you can almost be guaranteed you will see most of the formulas used.
Is this a great bluegrass album? Of course not. But a great bluegrass album would also not be a vehicle to introduce a generation of people to Del McCoury, Kris Kristofferson, and bluegrass music in general. Is it the album that Dierks set out to make without commercial consideration or label meddling? I kind of think it is.
Once again I sit down to review an album originating on Music Row, which means some will have an immediate negative reactionary response about why their little Saving Country Music is selling out for a pop country star, while others will come to sing the praises of how Miranda Lambert is the one to save country music.
My overall grade of the 2011 CMA Awards would be “not terrible.” Jason Aldean could have swept the awards, and ushered in a new era in country music where a country rap song was the reigning Song of the Year. But Taylor’s Entertainer of the Year victory at least means that at least a little authenticity is still alive in the “country” genre. Or at least for another year.
Just like how Taylor Swift’s big 2009 sweep of the awards caused a dramatic pop-oriented shift in the genre, an Aldean sweep could cause a shift to Aldean’s calling cards of checklist songs and country rap. And a win for the song “Dirt Road Anthem” would all but make the formation of the mono-genre complete.
The fact that this album even exists seems like a miracle in this day where superstar franchises like Miranda are micro-managed. Side projects, or just generally allowing artists to do what they want, is traditionally not allowed in any shape or form. However Hell on Heels slipped through the cracks for whatever reason, and for mainstream fare, it is not bad at all.
I thought we had moved on from the “new Outlaw” era, to pop country stars trying to be the next Taylor Swift. Well apparently not. Now Miranda Lambert’s hubby Blake Shelton wants in on the fun, releasing a song called “Kiss My Country Ass”, an unapologetic, unveiled attempt at the Music Row “Laundry List” songwriting formula, that takes it to another level by rehashing David Allan Coe’s “If That Ain’t Country” and introducing “Outlaw” Blake to the spoon-fed masses.
I feel the need to iterate to you some observations for last night’s 2011 Grammy Awards, if only to get them off my chest. This is not entirely going to be a bitch fest. Every year they air the Grammy’s, and every year people are left scratching their heads and feeling hopelessness for music, and so it was to be expected that this year would be no different…
Jimmy Carter (no, not the peanut-farming ex-prez) on 96.9 “The Kat” from North Carolina in his “Wednesday Dirt Alert” segment called the recently-released Academy of Country Music awards nominations “super-political” and asserts that he was specifically told that Carrie Underwood got snubbed for nominations from her label so that fellow label-mate Miranda Lambert would get some much needed press.
The latest new low is this “duet” by Colt Ford with the aforementioned Kevin Fowler called “Hip Hop in a Honky Tonk.” You can probably guess the premise. 2011 might be the year that the two 2 supergenres of hip hop and country merge into a monogenre as the lost and creatively bankrupt music industry continues to contract, offering no contrast, no creativity, and no choice. What could be a finer example than this.
Please indulge me for a minute here because I need to blow off some steam. Yes I’m glad that The Kennedy Center honored Merle Haggard and I guess you should be grateful for what you are given and not look a gift horse in the mouth. But in my opinion, the Kennedy Center’s presentation to Merle was horrifically mild and uninspired. Merle Haggard is an American treasure and deserves better.
Tonight the Poet of the Common Man, Merle Haggard will be honored with a Kennedy Center Honors award for his contributions to American music. Well, actually he received the award on December 5th, but the ceremony itself from December 5th in Washington DC will air tonight on CBS (as they say, check local listings for times).
When Amazon.com offered up 50 country MP3 albums for only $5 in August, September, and October I was hoping that was a promotion that would continue on a monthly basis, but unfortunately November came with no new set. We are in luck now though, because Amazon has just put up 75 country albums that will be available for $5 all the way till the end of January, and there’s some real gooduns.
After the 2010 CMA’s some wanted to hang a “Mission Accomplished” banner for saving country music because folks like Brad Paisley and Miranda Lambert walked away with big awards while the usual cast of pop country performers got the razz. Little they know this is all theater to keep us purists from not getting to restless, and setting up Taylor Swift to sweep the awards in 2011.
This week it was announced that Toby Keith’s Bullets in the Gun album is the new #1 in country. However this is the worst-selling country music #1 album since stats like this have been kept according to Billboard. A sheepish 71,000 copies sold, and even this is addition by subtraction, as the main reason it’s #1 is Kenny Chesney’s Hemingway’s Whiskey went in a 64% tailspin…
The internet is exercised today over the fact that Taylor Swift did not win any hardware at last night’s ACM Awards. Fans are looking for the fix, and haters are wondering if this is the end of the Taylor fad. Well, you’re both wrong. Back when she blew her performance at the Grammy’s her manager […]
There is a war going on right now for the heart of country music my friends, and we just had a salvo shot right into our belly. I would love to be sitting here writing about one of the countless original, highly-talented bands out there that Music Row won’t even let sniff it’s panties, but […]
We love to paint pop country with a broad brush around here, which may not always be fair. Think about it: sure we might consider two artists like Taylor Swift and Brad Paisley pop country, but the degree of how much pop compared to country they are, or even their overall talent level can be […]
I would much rather be writing an album review, or highlighting a new artist. But since the 19-year-old Taylor Swift took home an unprecedented four CMA’s, including Entertainer of the Year and Female Vocalist of the Year, this website has been flooded with traffic, similar to what Rush Limbaugh probably experienced after Obama’s win, which […]