Letterman’s recent run of supporting independent country and roots artists like Ray Wylie Hubbard, Dale Watson, Shovels & Rope, and many more is not the result of some crack team of publicists and booking agents working together to peddle these artists to the right people, it is coming from David Letterman himself listening to these artists and wanting them to be featured on the show.
“The Last Ride” takes you on the ill-fated road trip beginning in Alabama, and ending in West Virginia where Hank Williams passed away on New Years Day, 1953. Though Hank’s name is never spoken in the movie, it’s taken as a given that you know who he is, and what fate awaits him. The relationship between the superstar on death’s door and the confused young man is the centerpiece of “The Last Ride.”
The Americana Music Awards just announced their 2013 nominees. On September 18th, the awards will once again be held at the prestigious Ryman Auditorium in Nashville, and once again the nominations show a very narrow focus on the dramatically broadening world of Americana music. Aside from the Instrumentalists, only 11 names of artists or groups compile the entire field of 2013 Americana nominees.
Texas music is becoming hard wired and institutionalized, and this creates a few game-changing, long-term effects on the overall country music landscape. It is offering a template to the rest of the music world, and not just country music, of how to regionalize and organize a group of like-minded musicians and fans together to where they’re not dependent on corporate America’s traditional musical industrial complex.
Where most musicians might peak in their 20’s, Ray Wylie Hubbard seems to be hitting his stride in his 60’s. Since the release of his latest album The Grifter’s Hymal, he’s been asked to play David Letterman, and write and record with Ronnie Dunn of Brooks & Dunn fame. But he’s taking time out of his busy schedule to put on a festival of the music he likes.
Interstate 35 runs like a zipper down the gut of Texas, and acts like an unofficial border where the American South meets the West. The highway is also a musical corridor, being the main conduit in and out of Austin, TX, aka the “Live Music Capitol of the World.” Up and down that ribbon of I-35 are places that have been regaled in song by the musicians who’ve passed by them or had memorable experiences there.
David Letterman whose locked in a ratings tussle with Leno and the recently-rescheduled Jimmy Kimmel decides to supplant booking a musical guest the American public already knows for one they damn well should. “Mother Blues” is about the perfect song for Hubbard to play on Letterman because it is both specifically autobiographical and generally badass.
Here is the list of 25 albums Saving Country Music deems essential for 2012 listening, and then I added an extra one I couldn’t leave off. Please note this list only includes albums that have been reviewed so far. There are a few more good and important albums in 2012 that have yet to be reviewed. The first 7 albums on the list (from Little Victories to Lee Bains) were all serious considerations for SCM’s Album of the Year.
Every year this list stirs a little controversy because people misunderstand that these are not supposed to be the songs you “like” the best, but instead is supposed to be compositions in a given year that have the most impact. They’re songs that make you change the way you see the world, or change the way you see yourself. It is reserved for those few compositions that have the ability to change lives and to change the world.
2012 was a bumper crop year for great albums in the greater country music world, and that necessitates a bolstered lineup of candidates for Saving Country Music’s coveted Album of the Year. 7 total made the list, with others admittedly getting completely screwed by their absence. I already have a bead of sweat forming across my brow brought on by the impossible decision of who I’m supposed to pick off this list.
Ray Wylie Hubbard and Ronnie Dunn wrote some songs together back in September, and has been in Austin where for the last few days, they’ve been recording with an all-star band of George Reiff, Rick Richards, Ian McLagan from Faces, Brad Rice formerly of Son Volt, and others. “Started recording in Austin yesterday,” Ronnie Dunn posted on Facebook.
What’s refreshing about “Bleed Red” is even though it has the epic, anthemic approach indicative of the flag-waving anthem, it is not about politics, or any polarizing subject at all. It’s about the opposite. It’s the antithesis of the awful, too-often called upon emotional-driven overballad, that doesn’t sacrifice the soul-stirring epicness that makes these type of songs the best reminders of why we love music.
Some confusion always seems to dog my lists of top songs, because I’m not just looking for that catchy tune you can’t take off of repeat, I’m looking for the song that changes your world. For a song to qualify, it must be original, and barring exceptional circumstances, it must be composed by the performer. These are songs that take you somewhere.
2012 so far has been a remarkable year for top flight albums throughout the country world. That compelled me to tweak my regular mid-year format to not just include any album that has received a positive review (though these are all listed at the bottom), but instead highlight the ones that I think have a serious chance to be considered for Album of the Year.
The long-awaited movie about the last days of Hank Williams called The Last Ride has finally been granted a theatrical release. It will begin to be shown in select theaters June 22nd, and in a series of historic theaters starting June 1st. The Last Ride is not meant to be a historic portrayal of Hank’s final days, but focuses on the interaction between Williams and his young driver.
Slowly over the past few years we’re seeing the re-emergence of both God and Jesus in roots music content, and the popularization of gospel. Why? Possibly for the same reason the devil works so well, because God and Jesus are beginning to re-emerge as “folk” characters too, that even non-religious people can identify with as personifications of good.
If there’s honor amongst thieves, then it only seems fitting there should be a Grifter’s Hymnal. And if there’s going to be a Grifter’s Hymnal, it’s only fitting Ray Wylie Hubbard should compose it. The ingredients of grifters are already mixed there on his palette: Tales of dead and dying things and dens of iniquity, the struggle or the soul between good and evil, and the difficulty sometimes of telling the two apart.
Diamonds & Gasoline has a lot of the common earmarks of a Red Dirt album, and a lot of a good freshman album, even though officially it is their 2nd release. I really like this album, but moreover, I really like their potential, and am excited to see what the Turnpike Troubadours have to offer in the future.
I think at this point it is pretty much a forgone conclusion that in 2012 we’re all going to die of death. You know, that whole Mayan thing. But I thought just to be on the safe side, just in case we all don’t die, we’ll probably want to listen to some music, so wouldn’t it be cool to know what some of your favorite artists have planned for 2012.
When you’re compiling your list of most-anticipated albums for 2012, you’ve got another one to add to the top of the heap. Ray Wylie Hubbard has announced he’s got a new one ready for 2012 called Grifter’s Hymnal, and he’s got an interesting cast of characters helping him, including Ringo Starr, long-time drummer Rick Richards, George Reiff, and his son Lucas Hubbard.
Saving Country Music is very sad to report that Bee Spears, the perennial bassist for Willie Nelson, who played in Willie Nelson’s “Family Band” for 40 years, died on Thursday, 12/8/2011 after falling outside of his home in Nashville and being exposed to the elements overnight.
When I sat down to name the top 10 live performances of 2011 as seen through my eyes, I didn’t know what a mess I was making for myself, and it wasn’t until then that I realized what a power packed year for live music it has been. My 10 stretched to 15 fast, and I’m still leaving many live acts out.
Certainly Pickathon is an expensive festival in a severe corner of the country (just outside of Portland, OR), and these natural barriers will always keep some from being able to attend. But as far as creating the best environment to allow creativity to happen, and a model for other festivals and public events to learn and be inspired from, Pickathon has no peer…
Yesterday I was fortunate enough to attend the most talent-rich event I have ever been to, as the convergence of Willie Nelson’s 38th Annual 4th of July Picnic met up with the finale of this year’s Willie Nelson Country Throwdown tour at the largest honky tonk in the world, Billy Bob’s Texas, in the historic Ft. Worth stockyards.