If you know Gothic country, then you know Slim Cessna’s Auto Club, or at least you should. The seminal Gothic country band that has been helping define Gothic country for over two decades with it’s strange mix of mad roots and wild stage shows. The Denver, CO outfit will be hitting the road hard and heavy in 2018.
Once again Slim Cessna’s Auto Club have turned in an effort that touches parts of the musical palette you never knew existed, challenges the listener with adroit lyricism and structure, and offers a musical experience so unusual that it’s hauntingly riveting and hypnotic.
The Muddy Roots Festival is gearing up for its 5th annual event in the rolling hills just outside of Cookeville, TN, about an hour or so from Nashville to the east for the upcoming Labor Day weekend, and boasts an impressive lineup of many country and bluegrass legends, including Del McCoury, Bobby Bare, Ricky Skaggs, Ralph Stanley, Ray Wylie Hubbard, Peter Rowan, and an impressive under card of insurgent roots artists…
Amidst their 20th Anniversary as a band, Th’ Legendary Shack Shakers have announced they have signed to legendary punk label Alternative Tentacles, and will be releasing their first album in five years The Southern Surreal on September 11th. The news comes after the band resumed touring last year after calling it quits in November of 2012.
Tristen is not a hunter, she’s a gatherer, listening intently to any song or influence regardless of format or era, and eagerly mining the little nuggets of nostalgic, retro gold that allow the warmth of memories to flow freely from the inner mind of listeners to lovingly embellish a song. She then embeds this warmth into her completely original, modern-day compositions resulting in music that is both fresh and hauntingly familiar.
One of the great things about roots music is its Gothic legacy of cautionary tales, ghost stories, murder ballads, messages to the infirmed, and other such methods of macabre that allow country and roots artists to paint in dark colors when they so choose. This makes roots music one of the best realms to draw from when putting together your Halloween playlist.
If someone asked me to pony up an example of how in 30 years from now when we all have jet packs and flying cars, how country music could still respect and represent its roots, but still offer a relevant sound, I would hand them over a copy of Year of the Dragon. But the style of this project doesn’t resort to simple-minded, catchy beats to appeal to kids…
Where 2011 felt like a high water mark year for live performances and an average year for recorded projects, 2012 feels vice versa. When I look back on 2011, it seemed like there were moments I experienced that I will never top the rest of my life. 2012 is the year that some albums and songs were released that may never be topped. Still there were a quite a few memorable performances worth noting.
Not everybody will be able to make the trek to The Farmageddon Music Festival going down on July 20th-22nd in West Yellowstone, Montana at Hebgen Lake. But if you’re sitting on the fence, hemming and hawing, sweating because you only have two days left before you have to ask off for that extra day of work, here’s 12 random reasons to pull the trigger.
2012 will go down as the year that the roots music revolution went transcontinental, as the Muddy Roots Festival heads over to the Old World to storm the beaches of Europe with a ridiculous lineup of talent. Though the festival is happening in Europe, it will mostly feature American acts.
So here it is, the list of albums Saving Country Music deems essential for 2011 listening. Please note this list only includes albums that have been reviewed so far. And as always, your feedback is encouraged. What are your essential albums? What did we miss? What was released in 2011 that deserves a review?
When I sat down to name the top 10 live performances of 2011 as seen through my eyes, I didn’t know what a mess I was making for myself, and it wasn’t until then that I realized what a power packed year for live music it has been. My 10 stretched to 15 fast, and I’m still leaving many live acts out.
Well, we’ve just about reached the half way point of 2011, and let me level with you folks, so far this has been a down year for music. Yes, there’s been a few good projects and some surprises as well, but generally speaking it’s been pretty bleak compared to 2010, which was such a bumper year for music.
At first I didn’t know what to make of this album. In places, this is the most accessible, most non-dark music they have ever done. There are many bands that if they had put out an album like this, grumbles of “going mainstream” or “selling out” would be heard. But The Auto Club is so weird, so fey to begin with, being more normal actually makes them even more weird than they were before, adding to the mystique and mythos behind the band.
South by Southwest last year was my first full on experience with the event that brings over 8,000 bands from all over the world to Austin for 5 days of musical mayhem, and it went great. With proper pacing and maybe a little luck, I got everything out of the experience I could ever want. 2011 was one of those experiences you hear many people talk about that is proceeded by “…and I will never go back.”
Despite my SXSW preview blogs being horrifically under-read, and misunderstood as boastful bragging pieces about what others can’t experience instead of creative ways to promote artists I may otherwise not be able to talk about, and despite Saving Country Music being eaten by Facebook, ripped in half by XXX, and the last vestiges of readers descending into pointless polarized rants about Hank III and Jamey Johnson…
Of course, not every one can be here, but I will be, and leading up to SXSW, I will be doing my best to get everyone ready for the big shindig, including everyone that cannot attend. As I prepare for it, cover it, and then wrap it up, I’ll do my best to encapsulate the experience for everyone, and through articles, pictures, videos, audio, and interviews, help you live the experience vicariously through me, and through osmosis hopefully turn you on to some great music.
Even though T Model is solidly blues, like so many other roots-based independent artists, he has turned to the same underground resources that many independent country acts use to get their music to the people. This has formed the big tent movement that can be seen in things like the Muddy Roots Festival lineup where you have country and blues musicians booked side by side, and nobody bats an eyelash.
Following is my list for the essential albums for 2010, broken down into a few of categories.This is meant to compliment the Album of the Year candidates in this super-packed year for stellar music. Hopefully next year, Saving Country Music can branch out a bit and cover the more traditional mainstream acts, but it will always be on top of the smaller acts trying to get their music out there, not instead of them.
Seeing Denver’s Slim Cessna’s Auto Club live is a religious experience. And if you’ve ever seen them, you know that calling it “religious” is less of a descriptive tool, and more of a pun. This is one of those bands that I’d heard for years how I must see live, and without question, they lived […]
During and after South by Southwest this last week, people kept asking me what my favorite show was. It’s probably a toss up between Slim Cessna’s Auto Club, and Th’ Legendary Shack Shakers. (Reviews coming, and also of the pre-SXSW Hank III show). But one of the cool things about SXSW is the random collaborations […]
It will probably be easier to name of the bands and artists that WON’T be at South by Southwest in Austin, TX this week than to even begin trying to make a list of the ones I’m hoping to see. In fact I’m learning before I even get there that the most maddening thing about […]