Dale Watson’s 3rd Annual, 2016 Ameripolitan Awards went down Tuesday night in Austin at the Paramount Theatre, with awards handed out in the categories of “Honky Tonk,” “Western Swing,” “Rockabilly,” and “Outlaw,” designated by male and female, and groups. Additional awards were handed out favorite venues, festivals, DJ’s, and musicians.
The media loves a good feud story, but Taylor Swift’s speech wasn’t just meant for one person. Kanye West may have been the inspiration for Swift’s speech, but it wasn’t the target. The target was young women all across the world who are forced or coerced to having all their accomplishments measured by the men who also happened to be involved.
When Joey Martin Feek of the country duo Joey + Rory received a terminal diagnosis for her abdominal Cancer in October, the last thing she was thinking about was the prospects of her country music career. The duo had already won an ACM Award and been nominated for other industry recognition in the past, but all of that took a back seat to the realities facing Feek … until music gave her yet another reason to continue living.
Welcome ladies and gentlemen to Saving Country Music’s LIVE blog for the 58th Annual Grammy Awards broadcast live from Los Angeles. This is an annual exercise in snark, criticism, and giving kudos where kudos are due, all unfolding without a net, unscripted, and unfiltered.
During the 48th Annual Grammy Awards pre-telecast Monday afternoon, the rising country star and Kentucky born songwriter walked away with the Grammy for “Best Country Solo Performance” for his fine work on the title track to his debut solo album, Traveller. Stapleton beat out Keith Urban, Carrie Underwood, Cam, and Lee Ann Womack for the distinction.
Justice has finally been done, and the current King of Americana finally has his Grammy. Actually, he now has two of them. Alabama-born songwriter Jason Isbell walked away with Best Americana Album honors at the 58th Annual Grammy Awards for his latest record Something More Than Free during the pre-telecast awards Monday afternoon (2-14), as well as Best American Roots song for “24 Frames.”
Though this is not necessarily reflected in the performances, the general consensus is the Grammy Awards this year could be a big night for country music. With Chris Stapleton up for Album of the Year, Little Big Town up for Song of the Year, and other high-profile and important nominations, this is one of the few years country music could come out on top.
Vince Gill is the perfect model of how a country artist should age. Forget trying to run with the young crowd, or continuing to try and tap into whatever made you famous in the past. An artist like Vince Gill has accrued all the personal wealth he and his family will ever need. He’s as decorated with awards as any living country music artist, including a Hall of Fame induction.
The great internet purge of cool small-time music publishing enterprises continues. Couch by Couchwest is the latest victim, announcing earlier this week that it is calling it quits. Founded nearly six years ago to be an alternative to South by Southwest held every mid March in Austin, CXCW took the performers who couldn’t attend the event, and matched them up with patrons who couldn’t attend the event.
The strange saga of the Big Machine-signed The Band Perry and their curious new direction continues. The latest shoe to fall is their official, big production video for the failed single “Live Forever” has been pulled from YouTube, pulled from their social network pages, and no trace of the video can be found anywhere.
Believe it or not, there’s even a deep history for more lewd comedy that would happen in country music under the covers. Roy Acuff, the “King of Country Music” cut dirty songs when nobody was looking, and so did other early country legends, some under assumed names. These recordings were like the peep shows of music in the early days, passed around at beer parlors or in the back rooms of studios.
2016 is still a young, fertile lass and much more still needs to be determined. But I get the sense we’ll be talking about this album again come December, and Dori Freeman will not be a name unknown, but the one of the select few to be measured by.
Many news outlets have reported on Randy’s performance, but questions remained on just how capable Randy was in singing “Amazing Grace.” Fans of Travis have been hoping and praying for a full recovery for the singer since his health issues. Singing is sometimes easier for individuals dealing with impediments than talking is.
More so than most songs, it might be important to understand the context in which “Sugar Daddy” is being offered, or how it potentially may dovetail into a much more encompassing and cohesive album concept in the future, if “Sugar Daddy” even makes it onto Sturgill’s next album and is not just intended for the ‘Vinyl’ soundtrack.
The 320-page biography will cover George’s life from an impoverished childhood growing up in East Texas, being raised by by a devoutly-religious, but alcoholic mother and an often-abusive father, his multiple tumultuous marriages including to Tammy Wynette, his alcohol and cocaine abuse that almost killed him, and his marriage to his fourth wife Nancy.
Music is such a polarizing subject in popular culture already. We love to love our music, and we love to hate everyone else’s. Music is what we use to identify ourselves culturally. It’s what allows us to find camaraderie with other people who are more likely to be like-minded with ourselves. It’s what we pride ourselves in to tell us that we’re better than others.
Dolly Parton’s NBC made-for-TV movie Coat of Many Colors went from a sweet little movie to watch with the family over the holiday season, to one of the most successful and cherished movies based on a country music legend’s life released in recent memory. As word of mouth spread, it also became the highest-rated TV movie ever using Nielsen’s “National TV Toolbox Live+ Same Day and Live+ 3 Days” measurement.
“The Driver” is Charles Kelley’s version of Theodore Roosevelt buying a $700 cowboy shirt and heading for the Dakota badlands, or Rose from Titanic choosing to attend the dance in the boiler room instead of the ballroom because the help knows how to party better. It’s this strange, striving for everything Charles Kelley and Lady Antebellum isn’t that defines this solo album.
Later it was announced by Haggard’s publicist that all February dates would be canceled to aid Merle’s continued recovery. The publicist said Merle was “still feeling weak from his recent struggle with double pneumonia and has decided to seek further treatment.” But apparently tour plans have changed yet again.
A week from this evening, the music industry will be gathering in Los Angeles for the the world’s biggest music event of the year: The Grammy Awards. Unlike many years, fans of true and traditional country music will have someone to root for when it comes to the night’s biggest prize, even if it isn’t the most ideal artist to champion.
Chase was sure saying the right things, as are a lot of the Bro-Country acts who are now acknowledging the flight of interest in the bastardized style of country music. But words are cheap, and actions speak louder. And it didn’t take long for Chase to break his promise that his next album would be “all” about depth.
The artist known as Cam, best known for her breakout single “Burning House,” was on 92.5’s Electric Barnyard show with CMA and ACM-nominated DJ Broadway last week. And as Broadway is apt to do upon occasion, he pulled a disparaging quote from Saving Country Music to read to Cam to get her reaction and response.
word has come down that Jayke Orvis has decided to suit up once again with the Goddamn Gallows on their upcoming nationwide tour. Stepping aside for the moment is banjo player Joe Perreze. “I will be back with them onstage in the future and look forward to enjoying the show from the audience in the meantime,” says Perreze. The Gallows will be touring behind their latest album “The Maker.”
As No Show Jones moves forward with pre-production, so does a completely different movie, potentially a rival movie if you want to look at it that way, being made by the daughter of George Jones, Georgette Jones. Georgette was the only daughter between George Jones and Tammy Wynette during their brief, but high-profile marriage.
