The Biggest Takeaways from SXSW 2025
You don’t enjoy SXSW—the annual musical gathering in Austin, Texas every mid March. You endure it. You survive it. Here are Saving Country Music’s biggest takeaways from SXSW 2025.
You don’t enjoy SXSW—the annual musical gathering in Austin, Texas every mid March. You endure it. You survive it. Here are Saving Country Music’s biggest takeaways from SXSW 2025.
Neotraditionalist Zach Top is the biggest new thing in country music. And he’s only getting bigger. This album is surging in the charts while he set the 2025 Rodeo Houston attendance record so far.
You might be surprised to learn that Birmingham, Alabama right in the heart of the country music homeland does not have an annual country music festival. Well it does now.
“The Giver” is fundamentally a pop song, though with a very strong and prominent fiddle part, which is so pronounced in the song, it truly does pull it into the realm of country, or at least, country pop.
“Landman” Season 1 was an excellent forum for showcasing independent country and roots artists, picking up where Sheridan’s series Yellowstone left off. Season 2 is on the way.
The Saving Country Music Top 25 Playlist is built to keep you informed on all the best songs and albums coming out right here, right now in country and roots music.
“Lonesome Drifter” gives you another good haul of original Charley Crockett songs that are immediately entertaining, and that endear you ever further to the man and the mythos.
What is “authenticity” in country music, and why is it so important? And should it be? This is a question many love to ask, but the answer isn’t simple. The authenticity question is intertwined with the history of country music.
We’re used to younger and up-and-coming artists paying tribute to Willie Nelson, or perhaps Willie toasting the legends who came before him like Frank Sinatra and Gershwin.
George Jones and Tammy Wynette were two of the best to ever do it—divorce songs, and country music in general. So it should be of no surprise that Mr. and Mrs. Country Music would themselves get married, and eventually, divorce.
Disgraced former Texas music DJ Justin Frazell is in legal hot water once again after violating the terms of his probation, which could mean he could face time in prison.
Headliners Cody Jinks, Parker McCollum, and Treaty Oak Revival will makes sure there’s a rock edge to this country/Red Dirt festival, with Jamey Johnson, Blackberry Smoke, Randy Rogers Band, 49 Winchester…
Except in rare cases, labels aren’t looking to take a chance on a promising artist who doesn’t already have some social media uplift occurring. They want proof of concept.
Writing and recording divorce records in the era of non-disclosure agreements has to make for a difficult task. But if there’s any wordsmith out there in the world capable of navigating those hurdles, it’s probably Jason Isbell.
We want our country and Western artists to be the real deal. Even if it doesn’t make any bit of difference in the quality of the music, we want to know that they sing what they live, and live what they sing.
Announced this week, a biopic film on the life of Randy Travis is being developed, with Clay Walker on board as an Executive Producer and as the guy cast to play Randy Travis later in life.
By labeling a performer “Queer Country,” you’re not breaking down barriers, you’re erecting them with country music’s more conventional and conservative fans.
By mining his deepest emotions of love, devotion, and thankfulness, Justin Wells composes songs that resonate deeply with anyone who finds themselves in similar circumstances, and those who aspire to.
Tyler Childers apparently wanted to have nothing to do with Ernest and Post Malone while they were hanging with Morgan Wallen, according to recent revelations by Ernest.
It’s been proven time and time again in country music that pedigree can be a real thing. That’s most certainly the case when it comes to the House of Scruggs.
For years now the indomitable Marty Stuart has been teasing us mercilessly about a surf guitar album or some sort of instrumental work that he’s had in the can, but divulging only scant details.
The Devil Makes Three is blue collar music for a bleak world bifurcated between the have’s and have not’s. It’s never pretty. It’s a feral, tattooed, and pierced. But it’s nonetheless inspiring from its dogged persistence.
It’s about food. It’s about land stewardship. It’s about sustainable ranching practices. And it’s also about music. It’s the Old Salt Music Festival. It’s a small festival, but one with a very big music lineup.
It very well could be that the son of Hank Williams Jr., and the grandson of Hank Williams will be responsible for releasing the worst song in the entire pantheon of what anyone could ever construe as “country music” in 2025.