Despite years of controversy of whether Sam Hunt belongs in the country music realm, Saving Country Music runs down some of the reasons that Sam Hunt does perhaps belong in country music as opposed to the pop or EDM world.
Garth Brooks, take your free tickets to the Auditorium Shores stage and your Frito bags with your damn brand on them, and go back to Oklahoma and roll around naked in your massive, massive piles of money. You don’t belong at South By Southwest.
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
The Spring Fling is hosted by A. Michael Uhlmann, a native of Switzerland who moved to Austin over 25 years ago to cover Austin music. Held at the authentic local honky tonk called Giddy Ups south of town in an area called Manchanca (pronounced “Manchank” by locals), the Spring Fling tries to embody what Austin music used to be.
Wonder why pretty much every mainstream country single sounds ostensibly the same? It’s probably because they all pretty much do. Lill illustrates how nine songs on Billboard’s Hot Country Songs chart all employ the same exact drum beat, and within the same 15 or so beats per minute.
Dear Sally Williams, To begin, let me offer my sincere congratulations to you for ascending to the position of not just the new General Manager of the most esteemed and storied institution in all of country music, but as the General Manager, and Senior Vice President of Ryman Hospitality’s new Programming and Artist Relations Division.
There are so many unofficial parties, we could list 200 here and still leave some out. But in an effort to curate the noses of those Saving Country Music-oriented readers in the right direction, here is a smattering of recommended showcases presented in a similar fashion to SXSW itself, meaning a blobish mess.
In an effort to create more portals to recommend more music, Saving Country Music has launched a Spotify Top 25 Playlist. Unlike other playlists posted by SCM previously, this one will be regularly augmented as time goes on with new tracks deemed worthy of distinction. And no, there will not be any old country music songs on it, that is why it is called “current.”
Kudos to Blake Shelton for giving a hand up to traditional country music through his work on ‘The Voice.’ But if he wanted to show true leadership and really make an impact, he would show that same leadership with his own music.
SXSW is an irresponsible mess that puts artists, media, industry, and local citizens in inhumane, and sometimes dangerous positions, even without activating any immigration rules. And hopefully this issue will expose the culture of control that ironically has allowed the event to get completely out of control, and will hopefully encourage SXSW to reform.
Ortega recently decided that her five-year stint in Nashville was no longer worth the struggle. She moved back to Canada, and almost decided to leave country music behind as well. But out of her struggles, losing her label, and looking for a way forward she has recorded a four-song EP called ‘Til The Goin’ Gets Gone.’
Announced Tuesday (2-28), Jamey Johnson has signed a new deal with music rights organization SESAC. Though these rights organization deals happen all the time on Music Row, with artists moving back and forth from ASCAP, BMI, and SESAC for various reasons, this one feels significant if for no other reason than the rhetoric that accompanies it.
On Tuesday (2-28), Sturgill Simpson addressed ticketing issues with his fans who are seeing these immediate sellouts and tickets getting posted for $400 and up on secondary sites, especially after his popularity has taken a sharp rise due to his Grammy awards and nominations, and a viral Saturday Night Live performance.
For 40 years, Don Markham was the horn player in Merle Haggard’s backing band, The Strangers. In fact he outlasted every other permanent member in the band, and aside from a few hiatuses throughout the years, was the only constant member. He also played on every single Merle Haggard release since 1974, though you may have not noticed him.
Editor’s Note: This is a contribution to Saving Country Music by Zac McDaniel who is a freelance writer. Zac is also a rancher and small business owner from Oklahoma. Along with immersing himself in the music of others he is also an aspiring songwriter. He enjoys spending time with his wife, children and Gibson guitar. […]
As we near the end of February and look forward to spring every year, it becomes time for the annual exercise to pontificate on who perhaps the CMA will deem worthy for induction into the Country Music Hall of Fame. About this time the secret CMA-approved committee is going over their final ballots and whittling down the precious names to the few who will make it.
The prospects of a new incarnation of the long-running country music-themed television show Hee-Haw being in the works opens up a whole realm of delicious possibilities of how the show could take shape, and who could comprise the cast. So if a new Hee-Haw show comes to pass, who should be part of the cast?
In a recent interview with Kacey Musgraves ahead of her opening for George Strait in Las Vegas, Strait said “Tennessee Whiskey” was one of the songs he most regrets punting on when it was first pitched to him early in his career. “Dean pitched me to that in the 80’s … and I missed it,” George Strait says.
Welcome ladies and gentlemen to the 2017 Saving AMERIPOLITAN Music LIVE blog from Austin, TX and the historic Paramount theater. Since the awards will not be broadcast or televised, the will be the live portal into the festivities for the folks who can’t be here. We’ll keep you informed of the winners, performers, doings, photos and other observations.
What’s so strange about the news is Tim McGraw seemed to be doing so well on Big Machine after fleeing Curb Records. There was a lot of symbolism in McGraw moving to Big Machine after a lengthy court battle with Curb, which tried to keep him on the label indefinitely and was ruining his career.
There actually was an artist that was so clearly a victim of systemic bias and rigging of the system at the hands of the 2017 Grammy Awards, it’s almost shocking. And nobody is talking about it. In fact Beyoncé was one of the very reasons this particular artist got marginalized.
Welcome ladies and gentlemen to the 2017 installment of Saving Country Music’s Grammy Awards LIVE blog. It promises to be an interesting year with one of SCM’s own homegrown artists in Sturgill Simpson up for two of the biggest awards on the night (Best Country Album, and Album of the Year), as well as plenty of opportunity for snark and commentary.
Sturgill Simpson is up for two major awards, and will also have one of only eight solo performance slots on the entire night. He will perform backed up by the famous horn section The Dap-Kings. Sturgill has to be considered the front runner for Best Country Album since he is also up for the all-genre Album of the Year, but nothing is assured.
Dammit, can’t we do anything in American without someone wanting to inject their political vitriol into it and make a moment of unification into a vehicle for polarization? God blessed, we’re inundated with political acrimony 24 hours a day, 7 days a week, and in every sector of American life. You can’t get away from it.