Album Review – Brooks & Dunn’s “Reboot II”
Instead of exploiting a moment when Kix Brooks and Ronnie Dunn still have tread left on the tires to give it another shot with original songs, we get a second installment in their Reboot series.
Instead of exploiting a moment when Kix Brooks and Ronnie Dunn still have tread left on the tires to give it another shot with original songs, we get a second installment in their Reboot series.
18 songs is a lot to digest, but it goes down smooth when Randall King is serving them up. Though King’s neotraditional sound might be similar to others, what he has that many don’t is an actual country voice to compliment them.
If you’ve been waiting for the right opportunity to catch the Turnpike Troubadours on their reunion tour and got locked out of the first round of shows due to the crazy run on tickets, the opportunities to see them live just got a lot more lucrative.
One sign that mainstream country music continues to improve is the decrease in “country” songs that were worthy of rants in 2019 compared to previous years. However there were a few exceptions in 2019, and songs worthy of taking out back to the woodshed. Our full-throated opposition to these monstrosities misappropriated as “country.”
Last week, Riley Green’s song “Bury Me in Dixie” disappeared from streaming services and other music outlets unannounced. Very similar to the situation involving Confederate Railroad, the backlash from the removal of the song has received significantly more attention than any outrage that preceded it.
Traditionally-leaning Canadian country music artist, Warner Music Canada signee, and reigning Canadian Country Music Awards Female Artist of the Year recipient Meghan Patrick was headlining the Hagersville Rocks Music Festival Saturday night (7-27) in Ontario when some smart ass in the crowd thought they would get cute.
We took the time to celebrate some of the Best Songs Released in 2018, as well as some of the Best Albums, so now it’s time to place a clothespin firmly on our noses, slip on some elbow-length rubber gloves, and go digging through the cesspool that is radio country to dredge up the absolute worst offenses.
Country music still needs saving ladies and gentlemen, and is still searching for the absolute statistical rock bottom when it comes to quality and substance in songs. Defining the “worst” has officially reached new parameters. So let’s cover our ears, pinch our noses, and set these stinking piles of refuse up to ceremoniously knock them down.
No. We’re not going here. I’m sorry. Consider this a line in the sand. Consider this an ultimatum. Nobody’s mother is being threatened here, mind you. We’re not veering off the rails or anything. But if there was ever a moment where dramatic action was called for in country music matters, this would be it.