Most definitely, Jason Isbell and his new album Weathervanes with his backing band The 400 Unit is worthy of Grammy consideration. Most anyone with an objective ear would conclude this. But for some, none of this matters.
Everybody calm down. It’s just the ACM Awards. But that doesn’t mean we shouldn’t celebrate that the good guys won.
The only thing more cool than your favorite country music performers is when your favorite country music performers come together to collaborate in a supergroup. Some of these collaborations have gone on to become just as legendary as the individual performers themselves.
In a recent behind-the-scenes clip as part of this season of RuPaul’s Drag Race, Maren Morris felt then needed to apologize to the drag queens competing on this season’s show on behalf of country music. But Maren Morris has some specific things she should apologize for personally.
If you were writing a detailed history on country music, compiling a timeline of significant moments in the genre, or a list of firsts experienced over the years, you would be remiss if you did not at least give mention to Patrick Haggerty and his band Lavender Country.
Just like so many of the characters in today’s popular music space, Jason Isbell has transformed from one of the most universally-revered independent artists of our time, to being reviled by large swaths of the listening population for his active and often ostentatious displays.
It takes seconds, not minutes into this new album for the brilliance of writing and the power of performance that Brandi Carlile boasts to be self-evident. Immediately an internal dialog commences in the listener on if Carlile is one of the best singers in the roots realm.
In 2015, when Mickey Guyton released her debut single “Better Than You Left Me,” she symbolized hope in the mainstream of country music for a host of reasons. Similar to how we regard artists such as Lainey Wilson and Carly Pearce today, Mickey Guyton was a bright spot.
Chris Stapleton fans were disappointed on Friday (9-4) when hours before he was supposed to take the stage as the Friday night headliner at the three-day BottleRock Festival in Napa Valley, California, he canceled due to an undisclosed illness.
So now the biggest radio personality in mainstream country—the grandiose and bespectacled Bobby Bones—who is always laboring to be the undivided center of attention, took to TikTok to say the quiet part out loud, and is now drawing the ire of many in the industry.
ohn Prine was the big winner posthumously from the 2021 Grammy Awards and the Premier Ceremony that takes place before the proper telecast. Taking home two Grammy Awards, both for his final recorded song, “I Remember Everything,” he became the most awarded artist from the roots.
As some of the dust begins to settle from the fallout of Morgan Wallen’s inappropriate and offensive use of the N-word, there’s an addendum that needs to be addressed in regards to the accusations of a double standard pervasive in country music.
The 2021 Grammy Award nominees were announced on Tuesday (11/24), and as can be expected, there is some good, some bad, many worthy nominations, a few probably born of virtue signaling as you can expect. But overall, it’s about par for the course.
The recipient of the inaugural CMT Equal Play Award has been announced as Jennifer Nettles, known both as a solo performer, and most notably for her work in the country music duo Sugarland. But there is a problem with presenting Jennifer Nettles as a “equal play” advocate.
Neither Amanda Shires, Brandi Carlile, Natalie Hemby, nor The Highwomen collectively have addressed the issue publicly, or directly. We still don’t know why Mickey Guyton felt she was “disinvited” from the shoot, whether it was the fault of “a giant miscommunication” or otherwise.
AmericanaFest has been officially cancelled for 2020. But the crown jewel of the event—the Americana Music Awards—will move forward at the Ryman Auditorium on Wednesday, September 16th as scheduled. Nominees in the six respective categories have been announced.
In a recent op/ed, Guyton spelled out numerous frustrations she’s experienced, but one of the most shocking revelations of the article was not on the systemic racism she’s suffered from in the country music industry, it was how she was snubbed by her fellow women in the genre.
As an addendum to all of the brewhaha last week surrounding Garth Brooks winning the 2019 CMA Entertainer of the Year over Carrie Underwood, a little context is perhaps needed. Though Stan armies love to war back and forth, behind the scenes things are often a lot more moderate and congenial.
Strong songwriting underpins inspired performances delivered by four women with passion for this project and its material in this initial effort by The Highwomen. Instead of writing it all themselves, they took the Nashville approach of utilizing co-writers to refine each effort that began with their original ideas, and it shows in the results.
Some great new songs have just been recruited for the Saving Country Music Top 25 Playlist meant to keep you up to date with the latest songs and album releases. Starting us off is the First Couple of Texas Country Bruce Robison and Kelly Wills putting their spin on the old country class “One Dime At A Time.”
As if answering a distress call sent out over the airwaves or via a spotlight beamed over Music City, the Highwomen have assembled in the form of the Grammy-winning Brandi Carlile, fiddlemaster Amanda Shires, songwriting markswoman Natalie Hemby, and superstar Maren Morris. “Redesigning Women” is their first taste.